Henri Cartier Bressen (Sunday Picnic on the Marne River) 

The other co - founder of the famous Magnum Photos beleived in the decisive moment photography however took photos not of people and made it his mission to capture life in that freeze frame in time that shows the emotion or moment that creates that narrative. He said, 'The moment! Once you miss it, it is gone forever.' This was what he preached and made it his objective to capture the essence of events in one still photograph. In this photo to the left here is a family on the bank having a pic nic (in the title really) however when looking closely it is capturing the moment when the man in the top hat is pouring him self a drink and the woman is tearing off a peice of her sandwich whilst the other woman furthest in the background is admiring the view whilst the camera is framed so that it is only giving us a part of the river makes us focus on the background as well as the foregound because it is applying the 'rule of thirds' which is the way that the eye looks at the an image and which order it looks at what is in the photograph.

Eddie Adams (Saigon Execution)

 Images can change elections, culture and polical opinon. This picture was a perfect example of doing all three. It created a massive explosion of out cry and change that accelerated and stopped the war one month later after it was published in the Associated Press in America. The picture, like the  'Falling Soldier' is decisive moment and is again in the middle of the narrative that it is telling. Neither alive or dead. Eddie adams does a mixture of both staged and decisive moment photography which he uses to make a politcal point to others, subjects of his photos are usually of war and 3rd world issues that he wants people to know about which makes his images so good. Because Capa would say 'if you pictures arn't good enough, you arn't close enough'.

Dianne Arbus (Child with Toy Grenade in Central Park, New York City) 

An American Photogrpaher who took photos of surreal or those who were ugly which was their normal. This gave her photos a kind of weirdness about them that provoked people to respond as such, that they feel empathy and sympathy because of the way she has taken them. This is by staging the photo thus making her be able to get the shot Dianne wants in order to get the best in the way of how her subject is framed and seen as in the image. This photo with the boy with the granade was taken in 1968 can have many political meanings however in my opinion it is demonstating how war represented by the grenade can have dramatic consequences to society and because this is juxaposed with the boy holding it has themes of innocence that create such pictures to be very powerful when it comes to emotion and how people react either negatively or positively.

Martin Parr (The Last Resort) 

One of the more modern photojournalists, still working for Magnum however with a very different approach to the way the founders photograph. Again, Martin Parr stages his photos in order to create the political point to which he wants to come across. His subjects are usually about pepole and their envrioments and observes this through his images. In some of his photos his uses a certain type of humour to create an emotional response to make you possibly about why you laughed then the meaning becoming slightly serious because when you look more deeper in to the picture you realise that there is background story that is more sinister.